_Quotes

Rhett: It seems we've been at cross-purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her and spoil her, as I wanted to spoil you. But when she went, she took everything. Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything. Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief. Scarlett: Rhett! Rhett, where are you going? Rhett: I'm going to Charleston, back where I belong. Scarlett: Please, please take me with you! Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something ...

Johnny Fontane: A month ago, he bought the movie rights to this book. A best seller – and the main character, it's a guy just like me. I, uh, I wouldn't even have to act, just be myself. [choking up] Oh, Godfather, I don't know what to do. I don't know what to do. [Don Corleone stands up and shakes Johnny] Don Corleone: [shouting] You can act like a man! [Don Corleone slaps Johnny] Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family? Johnny Fontane: Sure I do. Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want. Johnny Fontane: It's too late, they start shooting in a week. ...

Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast. Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money. Charlie: Oh I had some bets down for you. You saw some money. Terry: You don't understand! I coulda had class. I coulda been a contender. I could...

Dorothy: [has just arrived in Oz, looking around and awed at the beauty and splendor] Toto, I've a feeling we're not in Kansas anymore. Dorothy: [after a pause] We must be over the rainbow! [a bubble appears in the sky and gets closer and closer. It finally lands, then turns into Glinda the Good Witch wearing a spectacular white dress and crown, holding a wand] Dorothy: [to Toto] Now I... I know we're not in Kansas! - Judy Garland as Dorothy Gale from The Wizard of Oz (1939) The bolded line is ranked #4 in the American Film Institute's list of the top 100 movie quotations in American cinema. 도로시: (오즈에 도착한 직후. 주위를 둘러보고 아름다움과 화려함에 놀라며) 토토, 우리가 더이상 캔자스에 있는게 아닌 것 같아. 도로시: (잠깐 있다가) 우리는 무지개 위에 있는게 틀림없어. (비눗방울이 하늘에 나타나 점점 다가온다. 마침내 땅에 내린다. 그리고 지팡이를 든 채 호화로운 백색 드레스에 왕관을 쓰고 있는 선한 마법사 글린다로 변한다.) 도로시: (토토에게) 그래. 우리는 캔자스에 있는게 아니야! - 도로시 게일 (주디 갈랜드), 오즈의 마법사 (1939) American Film Institute's list of the top 100 movie quotations

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong. Ilsa: But, Richard, no, I... I... Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie? Captain Renault: I'm afraid Major Strasser would insist. Ilsa: You're saying this only to make me go. Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. Ilsa: But what about us? Rick: We'll always have Paris. We didn't ...

Rick: Who are you really, and what were you before? What did you do and what did you think, huh? Ilsa: We said no questions. Rick: ... Here's looking at you, kid. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. 릭: 당신은 정말 누구죠? 이전에 무엇을 했었나요? 무엇을 했고, 무엇을 생각했나요? 일사: 질문하지 말자고 했었잖아요. 릭: ... 건배. - 릭 블레인 (험프리 보가트), 카사블랑카

Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us. Rick: All right, I will. Here's looking at you, kid. Ilsa: [smiles] I wish I didn't love you so much. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes". This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the oth...

And I promise you I'll never desert you again because after Salome we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, the cameras, and those wonderful people out there in the dark!... All right, Mr. DeMille, I'm ready for my close-up. - Gloria Swanson as Norma Desmond from Sunset Boulevard (1950) The bolded line is ranked #7 in the American Film Institute's list of the top 100 movie quotations in American cinema. 난 다시는 당신을 버리지 않겠다고 약속해요. 살로메 뒤에서 우리는 또다른 사진을 찍고 또 찍을 것이니까요. 당신도 알다시피 이건 내 인생이에요. 언제나 그럴거에요! 그 외에는 아무것도 없어요. 단지 우리 둘과 카메라 그리고 어두운 그곳에 있는 멋진 사람들 뿐이죠. 좋아요, 드밀씨. 나는 근접촬영을 위한 준비가 되어 있어요. - 노마 데즈먼드 (글로리아 스완슨), 선셋 대로 (1950) American Film Institute's list of the top 100 movie quotations

Luke: So. You got your reward and you're just leaving, then? Han Solo: That's right, yeah. Got some old debts I gotta pay off with this stuff. Even if I didn't, you don't think I'd be fool enough to stick around here, do you? Why don't you come with us? You're pretty good in a fight. We could use you. [Luke and Han are about to go their separate ways; Luke is upset that Han still plans to leave after receiving his reward] Luke: Come on. Why don't you take a look around? You know what's about to happen, what they're up against. They could use a good pilot like you. You're turning your back on them. Han Solo: What good's a reward if you ain't around to use it? Besides, attacking that battle station ain't my idea of courage. It's more like... suicide. Luke: All right. Well, take care of yourself, Han. I guess that's what you're best at, isn't it? [starts to storm off] Han Solo: Hey, Luke! [Luke stops and turns...

Fasten your seatbelts. It's going to be a bumpy night. - Bette Davis as Margo Channing from All About Eve (1950) The bolded line is ranked #9 in the American Film Institute's list of the top 100 movie quotations in American cinema. 안전밸트를 매요. 평탄하지 않은 밤이 될테니. - 마고 체닝 (Margo Channing: 베티 데이비스 분), 이브의 모든 것 (1950)

Yeah. Huh? Huh? Huh? (I'm) faster than you, you fuckin' son of a...I saw you comin', you fuck, shit-heel. I'm standin' here. You make the move. You make the move. It's your move. [He draws his gun from his concealed forearm holster] Don't try it, you fucker. You talkin' to me? You talkin' to me? You talkin' to me? [He turns around to look behind him] Well, who the hell else are you talkin' to? You talkin' to me? Well, I'm the only one here. Who the fuck do you think you're talkin' to? Oh yeah? Huh? OK. [He whips out his gun again] Huh? - Robert De Niro as Travis Bickle from Taxi Driver (1976) The bolded line is ranked #10 in the American Film Institute's list of the top 100 movie quotations in American cinema. 그래. 어? 어? (난) 너보다 빨라. 다 보고 있어. 바보 같은 놈. 나 여기 있어. 움직여 보시지. 움직여 봐. 움직였지. (그는 숨겨있던 권총집에서 총을 뽑는다.) 까불지마. 나한테 말하는 거야? 나한테 말하는 거야? 나한테 말하는 거냐고? (주위를 둘러 그의 뒤를 돌아본다) 그렇지 않으면 대체 누구한테 말하는 거야? 나한테 말하는 거야? 여긴 나밖에 없잖아. ...

What we've got here is failure to communicate. Some men you just can't reach. So you get what we had here last week, which is the way he wants it. Well, he gets it. I don't like it anymore than you men. - Strother Martin as Captain from Cool Hand Luke (1967) The bolded line is ranked #11 in the American Film Institute's list of the top 100 movie quotations in American cinema. 우리가 여기 가져온 것은 의사소통의 단절입니다. 어느 누구와도 접촉할 수 없습니다. 지난 주에 우리가 여기에 온 것을 당신들은 얻었습니다. 그게 그들이 원하는 겁니다. 그들이 원하는 대로 되었습니다. 나도 여러분 보다 더 이런 것을 원치 않습니다. - 캡틴 (스트로더 마틴), 폭력 탈옥 (Cool Hand Luke, 1967)

You smell that? Do you smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning. You know, one time we had a hill bombed, for twelve hours. When it was all over I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like … victory. Someday this war's gonna end. - Robert Duvall as Lieutenant Colonel Bill Kilgore from Apocalypse Now (1979) The bolded line is ranked #12 in the American Film Institute's list of the top 100 movie quotations in American cinema. 너도 그 냄새를 맡았어? 냄새를 맡았어? 소이탄(燒夷彈). 세상에 그런 냄새는 없어. 나는 아침에 소이탄의 냄새를 맡는 걸 좋아하지. 언젠가 우리는 어느 고지를 12시간동안 폭격했지. 모든게 끝났을 때, 난 걸어갔어. 우리는 아무것도 발견할 수 없었지. 그 놈의 시체라고는 아무것도 발견할 수 없었어. 가솔린 같은 냄새가 가득할 뿐. 그건 승리의 냄새 같았어. 언젠가 이 전쟁은 끝날 거야. - 빌 킬고어 중령 (로버트 듀발), 지옥의 묵시록 (1979)

[last lines] Oliver Barrett III: Oliver, I want to help. Oliver Barrett IV: Jenny's dead. Oliver Barrett III: Oh Oliver, I'm so sorry. Oliver Barrett IV: Love means never having to say you're sorry. - Ryan O'Neal as Oliver Barrett IV from Love Story (1970) The bolded line is ranked #13 in the American Film Institute's list of the top 100 movie quotations in American cinema. 올리버 바렛 III: 올리버, 나는 돕고 싶어요. 올리버 바렛 IV: 제니는 죽었어요. 올리버 바렛 III: 아, 올리버, 미안해요. 올리버 바렛 IV: 사랑이란 결코 미안하다는 말을 하지 않는 거에요. - 올리버 바렛 IV (라이언 오닐), 러브스토리 (1970)

Polhaus: [lifting the fake falcon] It's heavy. What is it? Spade: The, uh, stuff that dreams are made of. Polhaus: Huh? - Humphrey Bogart as Sam Spade from The Maltese Falcon (1941) The bolded line is ranked #14 in the American Film Institute's list of the top 100 movie quotations in American cinema. 폴하우스: (가짜 매를 들어올리며) 무겁네요. 이게 뭐죠? 스페이드: 그건 꿈을 만들어내는 물건이에요. 폴하우스: 그래요? - 샘 스페이드 (험프리 보가트), 몰타의 매 (1941)

E.T. phone home. - Pat Welsh as E.T. from E.T. the Extra-Terrestrial (1982) The bolded line is ranked #15 in the American Film Institute's list of the top 100 movie quotations in American cinema. ET. 집에 전화. - ET, ET (1982)

They call me Mister Tibbs! - Sidney Poitier as ht.html">Virgil Tibbs from In the Heat of the Night (1967) The bolded line is ranked #16 in the American Film Institute's list of the top 100 movie quotations in American cinema. 그들은 날 팀스씨라고 불러요! - 버질 팁스 (시드니 포이티어), 밤의 열기 속으로 (1967)

Female reporter: If you could've found out what Rosebud meant, I bet that would've explained everything. Thompson: No, I don't think so; no. Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost. Anyway, it wouldn't have explained anything... I don't think any word can explain a man's life. No, I guess Rosebud is just a... piece in a jigsaw puzzle... a missing piece. - William Alland as Jerry Thompson from Citizen Kane (1941) 리포터: 만약 로즈버드가 의미하는게 무엇인지를 알게된다면, 모든 것이 설명될 것이라 확신합니다. 톰슨: 전 그렇게 생각하지 않습니다. 케인씨는 원하는 모든 것을 갖고 있던 사람이고, 그것을 잃어버렸습니다. 아마 로즈버드는 그가 가질 수 없었거나, 잃어버린 어떤 것이었겠죠. 어쨋든 그것은 어떤 것도 설명할 수 없을 것입니다. 나는 그 어떤 단어도 한 사람의 인생을 설명할 수 있다고 생각하지 않아요. 나는 로즈버드는 단지 퍼즐의 한 조각이라고 생각해요. 잃어버린 한 조각. - 제리 톰슨 (윌리암 알랜드 분), 시민 케인 (1941)

Rosebud. - Orson Welles as Charles Foster Kane from Citizen Kane (1941) Opening line; his last word as he dies. The bolded line is ranked #17 in the American Film Institute's list of the top 100 movie quotations in American cinema. 로즈버드. - 찰스 포스터 케인(Charles Foster Kane: 오슨 웰즈 분), 시민 케인 (1941)

[last lines] Philip Evans: Cody Jarrett... Hank Fallon: He finally got to the top of the world... and it blew right up in his face. - Edmond O'Brien as Hank Fallon/Vic Pardo from White Heat (1949) 필립 에반스: 코디 자렛... 행크 팰런: 그는 마침내 정상에 올랐어요. 그리고 바로 잘못되어 버렸죠. - 행크 팰런/빅 파르도 (에드먼드 오브라이언), 화이트 히트 (1949)

Made it, Ma! Top of the world! - James Cagney as Arthur "Cody" Jarrett from White Heat (1949) The bolded line is ranked #18 in the American Film Institute's list of the top 100 movie quotations in American cinema. 성공했어요, 엄마! 최고에요! - 코디 자렛 (제임스 카그니), 화이트 히트 (1949)

I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be! We know things are bad - worse than bad, They're crazy! It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials ...

Louis, I think this is the beginning of a beautiful friendship. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #20 in the American Film Institute's list of the top 100 movie quotations in American cinema. 루이스, 나는 이게 아름다운 우정의 시작이라고 생각합니다. - 릭 브레인 (험프리 보가트), 카사블랑카 (1942)

A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti. - Hannibal Lecter by Anthony Hopkins from The Silence of the Lambs (1991) The bolded line is ranked #21 in the American Film Institute's list of the top 100 movie quotations in American cinema. 인구조사원이 한 번은 나를 시험하려고 했지. 난 파바빈과 키안티를 곁들여 그의 간을 먹었어. - 한니발 렉터 (안소니 홉킨스), 양들의 침묵 (1991)

Bond. James Bond. - James Bond by Sean Connery from Dr. No (1962) The bolded line is ranked #22 in the American Film Institute's list of the top 100 movie quotations in American cinema. 본드. 제임스 본드. - 제임스 본드 (숀 코너리), 살인번호 (1962)

There's no place like home ; there's no place like home; there's no place like home... - Judy Garland as Dorothy Gale from The Wizard of Oz (1939) The bolded line is ranked #23 in the American Film Institute's list of the top 100 movie quotations in American cinema. 집 같은 곳은 어디에도 없어요. 집 같은 곳은 어디에도 없어요. 집 같은 곳은 어디에도 없어요. - 도로시, 오즈의 마법사 (1939) American Film Institute's list of the top 100 movie quotations http://en.wikiquote.org/wiki/Wizard_of_Oz

Show me the money! - Rod Tidwell by Cuba Gooding, Jr. from Jerry Maguire (1996) The bolded line is ranked #25 in the American Film Institute's list of the top 100 movie quotations in American cinema. 내게 돈을 보여줘! - 로드 티드웰 (쿠바 구딩), 제리 맥과이어 (1996) http://mymovietime.net/15-of-the-best-movie-quotes-ever

Lady Lou: I always did like a man in a uniform. That one fits you grand. Why don't you come up sometime and see me? I'm home every evening. - Mae West as Lady Lou from She Done Him Wrong (1933) The bolded line is ranked #26 in the American Film Institute's list of the top 100 movie quotations in American cinema. 레이디 루: 난 언제나 제복을 입은 사람처럼 했어요. 그건 당신에게 웅장하게 맞아요. 언젠가 들러서 나를 봐요. 나는 매일 저녁 집에 있어요. - 레이디 루 (메이 웨스트), 다이아몬드 릴 (1933)

I'm walking here! I'm walking here! [bangs hand on car] Actually, that ain't a bad way to pick up insurance, you know. - Dustin Hoffman as Ratso Rizzo from Midnight Cowboy (1969) The bolded line is ranked #27 in the American Film Institute's list of the top 100 movie quotations in American cinema. 나는 여기에 있어! 나는 여기에 있어! (손을 차에 치며) 사실, 보험금을 받는 것은 나쁜게 아니야. - 랫소 리쪼 (더스틴 호프만), 미드나잇 카우보이 (1969)

Ilsa: Play it once, Sam, for old times' sake. Sam: I don't know what you mean, Miss Ilsa. Ilsa: [whispered] Play it, Sam. Play 'As Time Goes By.' Sam: Why, I can't remember it, Miss Ilsa. I'm a little rusty on it. Ilsa: I'll hum it for you. [Ilsa hums two bars. Sam starts to play] Sing it, Sam. Sam: [singing] You must remember this A kiss is just a kiss A sigh is just a sigh The fundamental things apply As time goes by. Lyrics and Music by Herman Hupfeld (1931) - Ingrid Bergman as Ilsa Lund from Casablanca (1942) The bolded line is ranked #28 in the American Film Institute's list of the top 100 movie quotations in American cinema. 일사: 한번 연주해 봐요, 샘. 옛날을 생각하며. 샘: 난 당신이 의미하는게 뭔지 모르겠어요. 일사. 일사: (속삭이며) 연주해 줘요, 샘. '시간이 흐르듯이(As Time Goes By)'를 연주해 줘요. 샘: 왜요, 난 기억하지 못해요, 일사. 나는 예전같지 않아요. 일사: 내가 당신을 위해 콧노래를 불러볼게요. (일사는 흥얼거리고, 샘은 연주를 시작한다.) 노래도 불러요, 샘. 샘: (노래 부르며) 당신은 이것을 기억해야 해요. 키스는 단지 키스일 뿐이고, 한숨은 단지 한숨일 뿐이라는 것을. 근본으로 돌아가게 되죠. 시...

(Colonel Jessup testified that he ordered Lt Kendrick that Santiago "Wasn't to be touched" and the argument gets heated) Kaffee: Colonel Jessup, did you order the Code Red?! Judge: You don't have to answer that question! Jessup: I'll answer the question. You want answers? Kaffee: I think I'm entitled. Jessup: You want answers?! Kaffee: I want the truth! Jessup: You can't handle the truth! Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom! You weep for Santiago and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives! You don't want the truth, because deep down in places you don't talk about at parties, you wan...

I want to be alone. I think I have never been so tired in my life. - Greta Garbo as Grusinskaya from Grand Hotel (1932) The bolded line is ranked #30 in the American Film Institute's list of the top 100 movie quotations in American cinema. 난 혼자 있고 싶어요. 나는 내 인생에서 이렇게 지쳤던 적이 없어요. - 그레타 가르보 (그루신스카야), 그랜드호텔 (1932)

I can't let him go. I can't. There must be some way to bring him back. Oh, I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. But I must think about it. I must think about it. What is there to do? What is there that matters? Tara! Home. I'll go home. And I'll think of some way to get him back. After all... tomorrow is another day! - Vivien Leigh as Scarlett O'Hara from Gone with the Wind (1939) The bolded line is ranked #31 in the American Film Institute's list of the top 100 movie quotations in American cinema. 난 그 사람을 보낼 수 없어. 안 돼. 그를 다시 돌아오게 할 방법이 있을 거야. 지금은 생각할 수 없지만. 만약 그가 떠난다면 난 미칠거 같아. 내일 생각할 거야. 그러나 난 생각해내야만 해. 꼭 생각해내야만 해. 무엇이 그렇게 했을까? 문제가 무엇이었을까? 타라! 집. 난 집으로 갈 거야. 그리고 그가 돌아오도록 할 방법을 찾을 거야. 결국... 내일은 또다른 날이니까! - 스칼렛 오하라 (비비안 리), 바람과 함께 사라지다 (1939)

Major Strasser has been shot. [pause] Round up the usual suspects. - Claude Rains as Capt. Louis Renault from Casablanca (1942) The bolded line is ranked #32 in the American Film Institute's list of the top 100 movie quotations in American cinema. 스트라서 소령이 총을 맞았습니다. (잠시 멈췄다가) 용의자들을 불러 모으십시오. - 루이스 르노 (클로드 레인스), 카사블랑카 (1942)

Harry: You don't think that I could tell the difference? Sally: No. Harry: Get outta here. [Sally begins to fake an orgasm] Harry: Are you OK? [Sally continues very audibly, attracting the attention of nearly every customer in the cafe. Afterwards, she returns to eating her dessert] Older Woman Customer: [to waiter] I'll have what she's having. - Estelle Reiner as a Customer from When Harry Met Sally (1989) The bolded line is ranked #33 in the American Film Institute's list of the top 100 movie quotations in American cinema. 해리: 내가 그 차이를 알 수 있다고 생각하지 않죠? 샐리: 모를거에요. 해리: 여기서 나가요. (샐리는 가짜 오르가즘을 연기한다) 해리: 괜찮아요? (카페에 있는 고객들의 주의를 끌면서 샐리는 들을 수 있게 계속한다. 마침내 그녀는 그녀의 디저트를 먹으러 돌아온다) 손님: (웨이터에게) 나도 저 여자가 먹는 걸로 주세요. - 손님 (에스텔 라이너), 해리가 샐리를 만났을 때 (1989)

Slim: You know you don't have to act with me, Steve. You don't have to say anything, and you don't have to do anything. Not a thing. Oh, maybe just whistle. You know how to whistle, don't you, Steve? You just put your lips together and blow. - Lauren Bacall as Marie "Slim" Browning from To Have and Have Not (1944) The bolded line is ranked #34 in the American Film Institute's list of the top 100 movie quotations in American cinema. 슬림: 당신은 당신이 나와 함께 할 필요가 없다는 걸 알아요, 스티브. 어떤 말을 할 필요도, 무언가를 할 필요도 없어요. 전혀. 아, 아마 휘파람은 있겠네요. 휘파람 부는 법을 알죠? 그렇죠, 스티브. 그냥 입술을 모으고 숨을 내쉬면 돼요. - 매리 슬림 브라우닝 (로렌 바콜), 소유와 무소유 (1944)

"Slow ahead." I can go slow ahead. Come on down here and chum some of this shit. [the shark suddenly appears, causing Brody to recoil in shock] You're gonna need a bigger boat. - Roy Scheider as Cheif Martin Brody from Jaws (1975) The bolded line is ranked #35 in the American Film Institute's list of the top 100 movie quotations in American cinema. 천천히 앞으로. 난 천천히 갈 수 있어. 이리로 와서 이거나 물어라. (상어가 갑자기 나타난다. 브로디는 놀라 움찔한다.) 더 큰 배가 필요해. - 마틴 브로디 서장 (로이 샤이더), 죠스 (1975)

Gold Hat: Hola, senor. We are Federales. You know, the mounted police. Dobbs: If you're the police, where are your badges? Gold Hat: Badges? We ain't got no badges! We don't need no badges! I don't have to show you any stinking badges! Dobbs: You'd better not come any closer. Gold Hat: We aren't trying to do you any harm. Why don't you try to be a little more polite? Give us your gun and we'll leave you in peace. - Alfonso Bedoya as Gold Hat from The Treasure of the Sierra Madre (1948) The bolded line is ranked #36 in the American Film Institute's list of the top 100 movie quotations in American cinema. 골드 햇: 이봐요. 우리는 연방 정부에서 나온 기마경찰이오. 돕스: 만약 당신이 경찰이라면, 뱃지는 어디있죠? 골드 햇: 뱃지? 그런거 없어. 우린 뱃지 따위 필요없소. 당신들에게 뱃지를 보여줘야 할 필요도 없고. 돕스: 더이상 가까이 오지 않는게 좋을 거요. 골드 햇: 우리는 당신에게 어떤 해도 입히지 않을 것이오. 좀더 공손하게 대하지 그래요? 당신의 총을 우리에게 주면 당신을 놓아주겠소. - 골드 햇 (알폰소 베도야), 시에라 마드레의 황금 (1948)

The Terminator: I'm a friend of Sarah Connor. I was told she was here. Could I see her please? Desk Sergeant: No, you can't see her. She's making a statement. The Terminator: Where is she? Desk Sergeant: It may take a while. Want to wait? There's a bench over there. The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back. - Arnold Schwarzenegger as The Terminator from The Terminator (1984) The bolded line is ranked #37 in the American Film Institute's list of the top 100 movie quotations in American cinema. The character returns by driving a car through the front door. Schwarzenegger has been quoted that he hadn't thought much about the line when filming the movie. James Cameron notes in the DVD features that he expected the line to only get a laugh upon repeat viewings when what the character means is known, and was surprised to see it get a big reaction from first-time audiences who h...

[his farewell speech] Today, I consider myself the luckiest man on the face of the earth. - Gary Cooper as Lou Gehrig from The Pride of the Yankees (1942) The bolded line is ranked #38 in the American Film Institute's list of the top 100 movie quotations in American cinema. [고별사] 오늘은, 제가 이 세상에서 가장 운이 좋은 사람이라고 생각됩니다. - 루 게릭 (게리 쿠퍼), 야구왕 루 게릭 (1942)

[Shoeless Joe Jackson has asked Terence Mann to come with them to the cornfield, but Ray is upset because he wasn't invited] Ray Kinsella: I did it all, I listened to the voices, I did what they told me, and not once did I ask what's in it for me! Shoeless Joe Jackson: What are you saying, Ray? Ray Kinsella: I'm saying... what's in it for me? Shoeless Joe Jackson: Is that why you did this? For you? I think you better stay here, Ray. ... Ray Kinsella: What are you grinning at, you ghost? Shoeless Joe: "If you build it -" [gestures toward catcher, who is Ray's father, John Kinsella] "- he will come." Ray : "Ease his pain. Go the distance." It was him! Shoeless Joe: No, Ray. It was you. - Ray Liotta as Shoeless Joe Jackson from Field of Dreams (1989) (슐리스 조 잭슨은 테렌스 만에게 그들과 함께 옥수수밭으로 가자고 청한다. 그러나 레이는 초대받지 못했다고 화를 낸다) 레이: 나는 모든 걸 다 했어요. 나는 목소리를 들었고, 그들이 내게 말한 것을 했고, 내게 이익이 되는게 뭔지 한번도 묻지 않았어요! 슐리스: 무슨 이야기를 하는 거지? 레이: 난... ...

If you build it, he will come. - Ray Liotta (voice) as Shoeless Joe Jackson Jackson from Field of Dreams (1989) The bolded line is ranked #39 in the American Film Institute's list of the top 100 movie quotations in American cinema. Field of Dreams is a 1989 film about an Iowa corn farmer who hears a voice telling him: "If you build it, he will come." He interprets this as an instruction to build a baseball diamond in his fields; after he does, Shoeless Joe Jackson and other dead baseball players emerge from the cornfields to play ball. 만약 그것을 짓는다면, 그가 돌아올 거에요. - 슐리스 조 잭슨 (레이 리오타), 꿈의 구장 (1989)

Mama always said life was like a box of chocolates. You never know what you're gonna get. - Tom Hanks as Forrest Gump from Forrest Gump (1994) The bolded line is ranked #40 in the American Film Institute's list of the top 100 movie quotations in American cinema. 엄마는 언제나 말했죠. 인생은 쵸콜렛 상자 같다고. 무엇을 얻게될지 알 수 없다고. - 포레스트 검프 (톰 행크스), 포레스트 검프 (1994)

We rob banks. - Warren Beatty as Clyde Barrow from Bonnie and Clyde (1967) The bolded line is ranked #41 in the American Film Institute's list of the top 100 movie quotations in American cinema. 우리는 은행을 털어. - 클라이드 (Clyde Barrow: 워렌 비티 분), 우리에게 내일은 없다 (1967)

Mr. McGuire: I want to say one word to you. Just one word. Benjamin: Yes, sir. Mr. McGuire: Are you listening? Benjamin: Yes, I am. Mr. McGuire: Plastics. Benjamin: Exactly how do you mean? Mr. McGuire: There's a great future in plastics. Think about it. Will you think about it? - Walter Brooke as Mr. Mcguire from The Graduate (1967) The bolded line is ranked #42 in the American Film Institute's list of the top 100 movie quotations in American cinema. 맥과이어: 나는 자네에게 단지 한마디만 하고 싶네. 딱 한마디. 벤자민: 네. 맥과이어: 듣고 있나? 벤자민: 네. 맥과이어: 플라스틱. 벤자민: 정확히 무엇을 의미하는 건가요? 맥과이어: 플라스틱 산업에 굉장한 미래가 있네. 그것에 대해 생각해 봐. 그렇게 생각할 건가? - 맥과이어 (월터 브룩), 졸업 (1967) http://vanziggy.blog.me/50040490628

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong. Ilsa: But, Richard, no, I... I... Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie? Captain Renault: I'm afraid Major Strasser would insist. Ilsa: You're saying this only to make me go. Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. Ilsa: But what about us? Rick: We'll always have Paris. We didn't...