_Quotes

Young people are more sophisticated today, thanks to magazines and movies and even porno cable television. As a New Yorker I think I`ve matured faster than other young people. I`m street smart. - Phoebe Cates (1963- ) 잡지와 영화, 그리고 심지어 성인 케이블 방송 등으로 인해 요즘 젊은이들은 보다 수준이 높습니다. 뉴요커로서 나는 또래 젊은이들 보다 더 빨리 성숙했었다고 생각합니다. 나는 경험이 풍부하죠. - 피비 케이츠 (Phoebe Cates | Phoebe Belle Cates) 영화배우

[Tony Stark is eating a donut in the giant donut on top of the building] Nick Fury: Sir, I'm going to have to ask you to exit the donut. [In the Donut shop] Tony: I told you I don't want to join your super secret boy band. Fury: [laughs] No no no, see? I remember, you do everything yourself. How's that working out for ya? Tony: It-It-It-It's... I'm sorry, I don't want to get off on the wrong foot. Do I look at the patch or the eye? Honestly, I'm a bit hungover. I'm not sure if you're real or... or if I'm having deliriu.... Fury: [interrupts] I am very real. I'm the realest person you're ever gonna meet. Tony: Just my luck. Where's the staff here? [looks around] Fury: [pulls down Tony's collar to look at the marks on his neck] That's not looking so good. Tony: It's been worse. Agent Natasha Romanov: [walks up to the table] We've secured the perimeter. But I don't think we should hold it for too much longe...

Natalie Rushman: I need your impression. Tony Stark: Well, you have a quiet reserve about you... Natalie: I meant your fingerprint. - Scarlett Johansson as Natalie Rushman from Iron Man 2 (2010) 나탈리 러쉬만: 나는 당신의 임프레션이 필요해요. 토니 스타크: 음, 당신은 조용하고 내성적이군요... 나탈리: 난 당신의 지문이 필요하다는 뜻이에요. - 나탈리 러쉬만 (스칼렛 요한슨), 아이언맨 2 (2010)

Rhett: It seems we've been at cross-purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her and spoil her, as I wanted to spoil you. But when she went, she took everything. Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything. Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief. Scarlett: Rhett! Rhett, where are you going? Rhett: I'm going to Charleston, back where I belong. Scarlett: Please, please take me with you! Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something ...

Johnny Fontane: A month ago, he bought the movie rights to this book. A best seller – and the main character, it's a guy just like me. I, uh, I wouldn't even have to act, just be myself. [choking up] Oh, Godfather, I don't know what to do. I don't know what to do. [Don Corleone stands up and shakes Johnny] Don Corleone: [shouting] You can act like a man! [Don Corleone slaps Johnny] Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family? Johnny Fontane: Sure I do. Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want. Johnny Fontane: It's too late, they start shooting in a week. ...

Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast. Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money. Charlie: Oh I had some bets down for you. You saw some money. Terry: You don't understand! I coulda had class. I coulda been a contender. I could...

Dorothy: [has just arrived in Oz, looking around and awed at the beauty and splendor] Toto, I've a feeling we're not in Kansas anymore. Dorothy: [after a pause] We must be over the rainbow! [a bubble appears in the sky and gets closer and closer. It finally lands, then turns into Glinda the Good Witch wearing a spectacular white dress and crown, holding a wand] Dorothy: [to Toto] Now I... I know we're not in Kansas! - Judy Garland as Dorothy Gale from The Wizard of Oz (1939) The bolded line is ranked #4 in the American Film Institute's list of the top 100 movie quotations in American cinema. 도로시: (오즈에 도착한 직후. 주위를 둘러보고 아름다움과 화려함에 놀라며) 토토, 우리가 더이상 캔자스에 있는게 아닌 것 같아. 도로시: (잠깐 있다가) 우리는 무지개 위에 있는게 틀림없어. (비눗방울이 하늘에 나타나 점점 다가온다. 마침내 땅에 내린다. 그리고 지팡이를 든 채 호화로운 백색 드레스에 왕관을 쓰고 있는 선한 마법사 글린다로 변한다.) 도로시: (토토에게) 그래. 우리는 캔자스에 있는게 아니야! - 도로시 게일 (주디 갈랜드), 오즈의 마법사 (1939) American Film Institute's list of the top 100 movie quotations

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong. Ilsa: But, Richard, no, I... I... Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie? Captain Renault: I'm afraid Major Strasser would insist. Ilsa: You're saying this only to make me go. Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. Ilsa: But what about us? Rick: We'll always have Paris. We didn't ...

Rick: Who are you really, and what were you before? What did you do and what did you think, huh? Ilsa: We said no questions. Rick: ... Here's looking at you, kid. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. 릭: 당신은 정말 누구죠? 이전에 무엇을 했었나요? 무엇을 했고, 무엇을 생각했나요? 일사: 질문하지 말자고 했었잖아요. 릭: ... 건배. - 릭 블레인 (험프리 보가트), 카사블랑카

Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us. Rick: All right, I will. Here's looking at you, kid. Ilsa: [smiles] I wish I didn't love you so much. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes". This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the oth...

And I promise you I'll never desert you again because after Salome we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, the cameras, and those wonderful people out there in the dark!... All right, Mr. DeMille, I'm ready for my close-up. - Gloria Swanson as Norma Desmond from Sunset Boulevard (1950) The bolded line is ranked #7 in the American Film Institute's list of the top 100 movie quotations in American cinema. 난 다시는 당신을 버리지 않겠다고 약속해요. 살로메 뒤에서 우리는 또다른 사진을 찍고 또 찍을 것이니까요. 당신도 알다시피 이건 내 인생이에요. 언제나 그럴거에요! 그 외에는 아무것도 없어요. 단지 우리 둘과 카메라 그리고 어두운 그곳에 있는 멋진 사람들 뿐이죠. 좋아요, 드밀씨. 나는 근접촬영을 위한 준비가 되어 있어요. - 노마 데즈먼드 (글로리아 스완슨), 선셋 대로 (1950) American Film Institute's list of the top 100 movie quotations

Luke: So. You got your reward and you're just leaving, then? Han Solo: That's right, yeah. Got some old debts I gotta pay off with this stuff. Even if I didn't, you don't think I'd be fool enough to stick around here, do you? Why don't you come with us? You're pretty good in a fight. We could use you. [Luke and Han are about to go their separate ways; Luke is upset that Han still plans to leave after receiving his reward] Luke: Come on. Why don't you take a look around? You know what's about to happen, what they're up against. They could use a good pilot like you. You're turning your back on them. Han Solo: What good's a reward if you ain't around to use it? Besides, attacking that battle station ain't my idea of courage. It's more like... suicide. Luke: All right. Well, take care of yourself, Han. I guess that's what you're best at, isn't it? [starts to storm off] Han Solo: Hey, Luke! [Luke stops and turns...

Fasten your seatbelts. It's going to be a bumpy night. - Bette Davis as Margo Channing from All About Eve (1950) The bolded line is ranked #9 in the American Film Institute's list of the top 100 movie quotations in American cinema. 안전밸트를 매요. 평탄하지 않은 밤이 될테니. - 마고 체닝 (Margo Channing: 베티 데이비스 분), 이브의 모든 것 (1950)

Yeah. Huh? Huh? Huh? (I'm) faster than you, you fuckin' son of a...I saw you comin', you fuck, shit-heel. I'm standin' here. You make the move. You make the move. It's your move. [He draws his gun from his concealed forearm holster] Don't try it, you fucker. You talkin' to me? You talkin' to me? You talkin' to me? [He turns around to look behind him] Well, who the hell else are you talkin' to? You talkin' to me? Well, I'm the only one here. Who the fuck do you think you're talkin' to? Oh yeah? Huh? OK. [He whips out his gun again] Huh? - Robert De Niro as Travis Bickle from Taxi Driver (1976) The bolded line is ranked #10 in the American Film Institute's list of the top 100 movie quotations in American cinema. 그래. 어? 어? (난) 너보다 빨라. 다 보고 있어. 바보 같은 놈. 나 여기 있어. 움직여 보시지. 움직여 봐. 움직였지. (그는 숨겨있던 권총집에서 총을 뽑는다.) 까불지마. 나한테 말하는 거야? 나한테 말하는 거야? 나한테 말하는 거냐고? (주위를 둘러 그의 뒤를 돌아본다) 그렇지 않으면 대체 누구한테 말하는 거야? 나한테 말하는 거야? 여긴 나밖에 없잖아. ...

What we've got here is failure to communicate. Some men you just can't reach. So you get what we had here last week, which is the way he wants it. Well, he gets it. I don't like it anymore than you men. - Strother Martin as Captain from Cool Hand Luke (1967) The bolded line is ranked #11 in the American Film Institute's list of the top 100 movie quotations in American cinema. 우리가 여기 가져온 것은 의사소통의 단절입니다. 어느 누구와도 접촉할 수 없습니다. 지난 주에 우리가 여기에 온 것을 당신들은 얻었습니다. 그게 그들이 원하는 겁니다. 그들이 원하는 대로 되었습니다. 나도 여러분 보다 더 이런 것을 원치 않습니다. - 캡틴 (스트로더 마틴), 폭력 탈옥 (Cool Hand Luke, 1967)

You smell that? Do you smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning. You know, one time we had a hill bombed, for twelve hours. When it was all over I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like … victory. Someday this war's gonna end. - Robert Duvall as Lieutenant Colonel Bill Kilgore from Apocalypse Now (1979) The bolded line is ranked #12 in the American Film Institute's list of the top 100 movie quotations in American cinema. 너도 그 냄새를 맡았어? 냄새를 맡았어? 소이탄(燒夷彈). 세상에 그런 냄새는 없어. 나는 아침에 소이탄의 냄새를 맡는 걸 좋아하지. 언젠가 우리는 어느 고지를 12시간동안 폭격했지. 모든게 끝났을 때, 난 걸어갔어. 우리는 아무것도 발견할 수 없었지. 그 놈의 시체라고는 아무것도 발견할 수 없었어. 가솔린 같은 냄새가 가득할 뿐. 그건 승리의 냄새 같았어. 언젠가 이 전쟁은 끝날 거야. - 빌 킬고어 중령 (로버트 듀발), 지옥의 묵시록 (1979)

[last lines] Oliver Barrett III: Oliver, I want to help. Oliver Barrett IV: Jenny's dead. Oliver Barrett III: Oh Oliver, I'm so sorry. Oliver Barrett IV: Love means never having to say you're sorry. - Ryan O'Neal as Oliver Barrett IV from Love Story (1970) The bolded line is ranked #13 in the American Film Institute's list of the top 100 movie quotations in American cinema. 올리버 바렛 III: 올리버, 나는 돕고 싶어요. 올리버 바렛 IV: 제니는 죽었어요. 올리버 바렛 III: 아, 올리버, 미안해요. 올리버 바렛 IV: 사랑이란 결코 미안하다는 말을 하지 않는 거에요. - 올리버 바렛 IV (라이언 오닐), 러브스토리 (1970)

Polhaus: [lifting the fake falcon] It's heavy. What is it? Spade: The, uh, stuff that dreams are made of. Polhaus: Huh? - Humphrey Bogart as Sam Spade from The Maltese Falcon (1941) The bolded line is ranked #14 in the American Film Institute's list of the top 100 movie quotations in American cinema. 폴하우스: (가짜 매를 들어올리며) 무겁네요. 이게 뭐죠? 스페이드: 그건 꿈을 만들어내는 물건이에요. 폴하우스: 그래요? - 샘 스페이드 (험프리 보가트), 몰타의 매 (1941)

E.T. phone home. - Pat Welsh as E.T. from E.T. the Extra-Terrestrial (1982) The bolded line is ranked #15 in the American Film Institute's list of the top 100 movie quotations in American cinema. ET. 집에 전화. - ET, ET (1982)

They call me Mister Tibbs! - Sidney Poitier as ht.html">Virgil Tibbs from In the Heat of the Night (1967) The bolded line is ranked #16 in the American Film Institute's list of the top 100 movie quotations in American cinema. 그들은 날 팀스씨라고 불러요! - 버질 팁스 (시드니 포이티어), 밤의 열기 속으로 (1967)