_Quotes

Rhett: It seems we've been at cross-purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her and spoil her, as I wanted to spoil you. But when she went, she took everything. Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything. Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief. Scarlett: Rhett! Rhett, where are you going? Rhett: I'm going to Charleston, back where I belong. Scarlett: Please, please take me with you! Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something ...

Johnny Fontane: A month ago, he bought the movie rights to this book. A best seller – and the main character, it's a guy just like me. I, uh, I wouldn't even have to act, just be myself. [choking up] Oh, Godfather, I don't know what to do. I don't know what to do. [Don Corleone stands up and shakes Johnny] Don Corleone: [shouting] You can act like a man! [Don Corleone slaps Johnny] Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family? Johnny Fontane: Sure I do. Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want. Johnny Fontane: It's too late, they start shooting in a week. ...

Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast. Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money. Charlie: Oh I had some bets down for you. You saw some money. Terry: You don't understand! I coulda had class. I coulda been a contender. I could...

Dorothy: [has just arrived in Oz, looking around and awed at the beauty and splendor] Toto, I've a feeling we're not in Kansas anymore. Dorothy: [after a pause] We must be over the rainbow! [a bubble appears in the sky and gets closer and closer. It finally lands, then turns into Glinda the Good Witch wearing a spectacular white dress and crown, holding a wand] Dorothy: [to Toto] Now I... I know we're not in Kansas! - Judy Garland as Dorothy Gale from The Wizard of Oz (1939) The bolded line is ranked #4 in the American Film Institute's list of the top 100 movie quotations in American cinema. 도로시: (오즈에 도착한 직후. 주위를 둘러보고 아름다움과 화려함에 놀라며) 토토, 우리가 더이상 캔자스에 있는게 아닌 것 같아. 도로시: (잠깐 있다가) 우리는 무지개 위에 있는게 틀림없어. (비눗방울이 하늘에 나타나 점점 다가온다. 마침내 땅에 내린다. 그리고 지팡이를 든 채 호화로운 백색 드레스에 왕관을 쓰고 있는 선한 마법사 글린다로 변한다.) 도로시: (토토에게) 그래. 우리는 캔자스에 있는게 아니야! - 도로시 게일 (주디 갈랜드), 오즈의 마법사 (1939) American Film Institute's list of the top 100 movie quotations

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong. Ilsa: But, Richard, no, I... I... Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie? Captain Renault: I'm afraid Major Strasser would insist. Ilsa: You're saying this only to make me go. Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. Ilsa: But what about us? Rick: We'll always have Paris. We didn't ...

Rick: Who are you really, and what were you before? What did you do and what did you think, huh? Ilsa: We said no questions. Rick: ... Here's looking at you, kid. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. 릭: 당신은 정말 누구죠? 이전에 무엇을 했었나요? 무엇을 했고, 무엇을 생각했나요? 일사: 질문하지 말자고 했었잖아요. 릭: ... 건배. - 릭 블레인 (험프리 보가트), 카사블랑카

Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us. Rick: All right, I will. Here's looking at you, kid. Ilsa: [smiles] I wish I didn't love you so much. - Humphrey Bogart as Rick Blaine from Casablanca (1942) The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes". This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the oth...